San Francisco-based photographer McNair Evans has captured this restlessness and anticipation by shooting day train journeys in his series In Search of Great Men. We catch glimpses of how different passengers travel, some seek comfort in surrounding themselves with food and toys, others wrap themselves in blankets. My favourite images are those taken in the daylight hours, where sunlight streams in through the windows beautifully and the warm glow contrasts with the dark blue chairs and pallid grey table-tops.
Sign up to our newsletters for the latest creative news, projects and more delivered straight to your inbox. Photographer Josh Wilkes first got his hands on a camera about four years ago as a Christmas present from his friend, renowned makeup artist Isamaya French. I want the work that I make to ignite the exact opposite feeling.
My art is my freedom and my livelihood. You might remember Italian photographer Maurizio Di lorio from when he shot our first ever photographic cover for Printed Pages way back in As well as focusing on a new book, which he aims to publish this year — looking at London and megacities in general — he has also been commissioned by various giants across the industry. Here, he captured the place he called home as it changed, turned and evolved into a city under lock down. With an aim to break down the traditional structure of a magazine, the latest issue of Tunica is replete with experimental and interchangeable design.
Anna Ridler is an artist whose work uses technology, in particular machine learning. When Berlin-based illustrator Paul Waak graced our screens back in , his fantastically weird series Vertex Maximus gave us nothing but entertainment. Ana Popescu , an artist and illustrator based in Vienna, Austria, first caught our eye with her imaginary mid-century modernist villas in April But who are these seductive characters and who is she basing them off?
Playful, exuberant and immensely fantastical, his work eludes the representational and instead focuses heavily on cartoon-like silhouettes, psychedelic backdrops and an otherworldly mix of digital and analogue mediums — something that could quite frankly be derived from a dream. Known for his ridiculously well-rendered digital art, Washington D.
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Represented by bitforms gallery, Jonathan started out his career making prints, video installations and sculptures around 12 years ago, and has gone on to exhibit his work as an internationally acclaimed artist. The last time we spoke to Argentinian-born designer and illustrator Gustavo Eandi was back in Since then, the Barcelona-based creative has gone from strength to strength, building up a largely monochromatic portfolio that features work for the likes of Madlib, Carharrt, and Brain Dead.
But their oppressive codependence is interrupted when the washing machine breaks and hot wolf plumber Toomas comes quite literally into their lives. A spicy — and jealousy filled — love triangle ensues, and when Toomas beds both Manivald and his mum, Manivald knows its time to fly the nest. His vibrant, variously textured works, which flit between detailed patterning and block shapes, contain multiple narratives in their numerous playful elements and visual puns.
The album has had a strong cultural impact; the song "Time of the Preacher" was used often in the British television miniseries Edge of Darkness , and its lyrics were used in the first issue of the comic Preacher. After recording two albums for Liberty , he moved to RCA and recorded over a dozen albums, many produced by Chet Atkins , but his recordings were given the Nashville Sound treatment, orchestration that Nelson felt was largely unnecessary.
During his return to Austin, Texas after a ski trip in Colorado, Nelson was inspired by his then-wife Connie Koepke to write a western concept album. Nelson started to look for a studio in Texas to record his new material to avoid the modifications that they did to his recordings in his previous sessions. York, an acquaintance of Nelson's harmonicist Mickey Raphael , offered Nelson a day of free recording to boost the popularity of the studio.
Later, Raphael called back York, announcing that Nelson would record the entire album there. Disliking the result, Nelson decided to strip down the instrumentation. The story begins with "Time of the Preacher", where the character evokes his love for his wife, whom he suspects is unfaithful. This leads to a short version of "Time of the Preacher", wherein the singer ends with the line "Now the lesson is over, and the killing's begun".
The first song describes the double murder of the unfaithful woman and her lover by the Stranger, who states "And they died with a smile on their faces". This leads to the second song of the medley, which describes the grief of the Stranger. In "Red Headed Stranger", the protagonist commits a subsequent murder—he kills a woman who merely reaches out to touch one of his horses. The horse means more to him than life because it had belonged to his wife.
But the Stranger goes free because "you can't hang a man for killin' a woman who's tryin' to steal your horse". The story continues with the Stranger traveling south. In the song "Denver", the character falls in love with a woman he meets in a bar in town. One of the lines from "Blue Rock Montana" is repeated, with a variation: "And they danced with a smile on their faces".
Next is "Remember Me", where he announces that his vows to his deceased wife are broken and he is free to love. The story ends with "Hands on the Wheel", which depicts the Stranger as an old man who is accompanied by a child, presumably his grandson, and his new love. The song marks the end of the sorrow of the Stranger, and his redemption years later. The album ends with the instrumental song "Bandera". The title track, written in the s by Edith Linderman Calisch and Carl Stutz and made popular by Arthur "Guitar Boogie" Smith , the Charlotte, North Carolina singer and pioneering country music television star in the early s, previously had been recorded by John D.
Loudermilk and Eddy Arnold , but no one had thought to build an album around it until Connie Nelson suggested the idea to her husband. I had in mind, I remember, some of my favorite records: Eddy Arnold with just his guitar; Ernest Tubb with just his guitar; so I wanted to have that kind of feel with maybe just some help along the way to keep it from getting too, you know, obnoxious. Or monotonous. By all accounts, CBS was underwhelmed when they heard the finished product.
Nelson later remembered that "when the chief Columbia bigwig heard the tracks, he said, 'Why are you turning in a demo?
The songs feel disconnected. The mood is too down. And the sound is far too flat. You need to go back in and polish it. It's a piece of shit!
STRANGER POETOGRAPHY A JOURNEY THROUGH THE MINDS EYE
It sounds like he did this for about two bucks. It's not produced. It didn't follow the formula, the fashionable mix of the day. There were 1, reasons that record should not be a hit. But the Red Headed Stranger project took on Willie's personality and became a hit for the right reasons — because it was Willie Nelson. It was Willie's statement. Hemingway, who perfected an art of sharp outlines and clipped phrases, used to say that the full power of his composition was accessible only between the lines; and Nelson, on this LP, ties precise, evocative lyrics to not quite remembered, never really forgotten folk melodies to create a similar effect, haunting yet utterly unsentimental.
That he did not write much of the material makes his accomplishment no less singular. What Nelson has done is simply unclassifiable; it is the only record I have heard that strikes me as otherworldly. Red Headed Stranger conjures up such strange emotions and works on so many levels that listening to it becomes totally obsessing". Billboard described the album as "lots of instrumental work, with particularly fine piano by Bobbie Nelson, and the usual highly stylized Willie Nelson vocals". Pepper's of country music, the first record to follow a coherent theme instead of merely compiling radio singles".
It's undoubtedly distinctive — and it sounds more distinctive with each passing year — but it's strictly an intellectual triumph and, after a pair of albums that were musically and intellectually sound, it's a bit of a letdown, no matter how successful it was". Sputnikmusic wrote: "The Red Headed Stranger is simple and bare. Following the story of a preacher man that kills his cheating wife and her lover, ol' Willie spins the tale with a laid back nonchalance that just seems to ooze out of him, his aching chords and somber melodies encapsulating the futility and pain of his character's situation [ Willie Nelson's captivating story telling, and the minimalist majesty of his music fills a well worn grove in the hearts of those that enjoy the folk roots of the United States.
Red Headed Stranger ' s critical success cemented Nelson's outlaw image,  and made him one of the most recognized artists in country music. The title of the album became a long lasting nickname for him. Because of the success of the album, Wittliff decided to write a script for Nelson based on the story of the Red Headed Stranger.
In , Wittliff finished a draft of the project, which was turned over to Universal Studios. The movie project was tabled, and Wittliff and Nelson had to buy the script back from Universal. Finally, Nelson and Wittliff decided to finance the film themselves. Nelson portrayed the role of the stranger, and the movie was released in The first track, "Time of the Preacher", was used in Bob Dylan 's film Renaldo and Clara and episodes of the television drama Edge of Darkness.
The complete album was performed and recorded by Carla Bozulich in The Red Headed Stranger included a guest appearance by Nelson. A first season episode of the series Monk is titled " Mr. The new issue features remastered sound, as well as the inclusion of previously unreleased songs. From Wikipedia, the free encyclopedia. For the song, see Red Headed Stranger song.
For the film, see Red Headed Stranger film. Willie Nelson. This song introduces the story, and is interwoven through the storyline as it develops.
A standard by Fred Rose ; in the context of the story, it is used to depict the man's grief over the death of his wife. The single was a hit for Nelson, and was one of the reasons for the album's success. The album's title song marks the start of the journey of the fugitive husband, and his second murder. Main article: Red Headed Stranger film. Rolling Stone.
Retrieved The improbable rise of redneck rock: new edition. University of Texas Press.
- A Journey Through Darkness - My Life With Chronic Depression - The New York Times.
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Retrieved February 7, Reading country music: steel guitars, opry stars, and honky-tonk bars. Duke University Press. Rovi Corporation. Retrieved February 20, The first generation of country music stars: biographies of 50 artists born before Retrieved March 19, Digital News.http://maisonducalvet.com/mujeres-solteras-en-santa-luca.php
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